![]() ![]() “It was a constant state of preproduction, production, and post-production all at the same time for almost a year straight. “We were cutting every day, we were refining, we were figuring out what we were going to reshoot, figuring out what we had to finish,” Ford said about the process. “We showed them a version of ‘Endgame’ about a week, week-and-a-half of principal photography being done,” Schmidt said. ![]() While Ford was editing together “Infinity War” and overseeing the final stages of post-production, Schmidt assembled the first cut of “Endgame” while it was being filmed.Īaron Taylor-Johnson Thought He Was ‘Done’ with Blockbusters After Turning Down ‘Huge Franchises’ ![]() In order to get both films done, the editing duo had to split up the duties on “Infinity War” and “Endgame.” The Russo brothers shot both movies back to back and the editing team cut together as much as possible in real time. But if you do a bit at a time you can get through it.” “And I’m not even including the motion-capture footage. “It was a massive amount of footage with three, sometimes four units working every day pumping out material,” Ford said. The two editors spent two years editing the Marvel Cinematic Universe tentpoles back to back, and they recently revealed to Business Insider that in order to pull off both films they had to figure out what to do with 900 hours of shot footage. ![]() Making “Avengers: Infinity War” and “Avengers: Endgame” was a mammoth task for directors Anthony and Joe Russo, but it was even more of a massive undertaking for editors Jeffrey Ford and Matthew Schmidt. ![]()
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